جۆری توێژینهوه : Original Article
نوسهر
ماجستیر فی الادب العربی، إقلیم کوردستان – عیراق
وشه بنچینهییهكان
ناونیشانی توێژینهوه English
نوسهر English
Emotional manifestations in the course of narrative discourse do not appear directly and at one pace. Rather, it requires a deep reading of the text based on textual data to enrich the structural models and grasp the special organization to reveal the other side of the selves, through their psychological states and the connected and disconnected tension complexes. Taking advantage of the introductions of (Grimas, Fantoni), taking the novel (Bahar) by the Iraqi novelist Amer Hamew, and the novel (Totti) by Al-Girmiani, Nbard Fouad, as models. This is because their emotional structure is linked to the main theme. This theme formed the multiplicity of passions among the characters, creating infinite dimensions for the semiotics of passions, and this similar theme among novelists takes us to the door of comparison, so that our study is an attempt to combine semiotic study and comparative study at the same time.
وشه بنچینهییهكان English
