The semiotics of passions in the Arabic and Kurdish novel between the novels (Bahar by Amer Hamew) and (Totti by Nabard Fouad), a comparative semiotic study

Jhanbakhsh, Ashti

doi:10.24271/garmian.24.11C42

The semiotics of passions in the Arabic and Kurdish novel between the novels (Bahar by Amer Hamew) and (Totti by Nabard Fouad), a comparative semiotic study

Document Type : Original Article

Author

Ashti Jhanbakhsh

ماجستیر في الادب العربي، إقليم کوردستان – عیراق

https://doi.org/10.24271/garmian.24.11C42

Abstract

Emotional manifestations in the course of narrative discourse do not appear directly and at one pace. Rather, it requires a deep reading of the text based on textual data to enrich the structural models and grasp the special organization to reveal the other side of the selves, through their psychological states and the connected and disconnected tension complexes. Taking advantage of the introductions of (Grimas, Fantoni), taking the novel (Bahar) by the Iraqi novelist Amer Hamew, and the novel (Totti) by Al-Girmiani, Nbard Fouad, as models. This is because their emotional structure is linked to the main theme. This theme formed the multiplicity of passions among the characters, creating infinite dimensions for the semiotics of passions, and this similar theme among novelists takes us to the door of comparison, so that our study is an attempt to combine semiotic study and comparative study at the same time.

Keywords

Passion

Self

Semiotics

Comparative