The overall political climate that prevailed during the first quarter of the twentieth century in the Arab countries in the shadow of Western colonialism and in the successive period of it, and then the outbreak of World War II and its devastating consequences on the whole world and the Arab region in particular, and the emergence of the Palestinian cause as the most prominent issues in the region from a religious and national perspective (The case of soil and religion), up to the beginning of the second millennium, were difficult periods characterized by the presence of authoritarian, authoritarian authorities, oppressing the rights of the individual, marginalizing his role, disappointing his hopes and working to constantly crush him and deepen his wounds and the continuity of his pain and groans. Modern poets sprang from the ocean to the Gulf, To play their role in line with their human feeling and their awareness of the rights of their people and the people’s appeal to them to represent them before the rulers and before the Arab and international public opinion. So, these poets, including Muzaffar al-Nawab, who did not hesitate to record political positions without hesitation and retreat, used all his intellectual and linguistic energies for this, And sacrificing everything.             As a result of these dark conditions, politics became the issue of all spectrums of the Arab and Iraqi people, and it always became their talk, so the political linguistic lexicon expanded, and the effects of all of this appeared on the literary text, and it was necessary for the student in the field of literature to study the merits of that event, and to clarify the incoming formats. Between the lines of texts and trying to link them in line with them in the environment surrounding the circumstances of the emergence of the text From the external structures, thus reaching the cognitive sources of dimensions and mental structures.             On the basis of what we mentioned above, this modest project emerged to be a guide to accessing the cognitive labyrinths in samples of the poetry of the deputies. And interrogation of its forms, and its exclusion, and revealing its external circumstances.