Document Type : Original Article
Author
زانکۆی سەلاحەددین/ کۆلێژی زمان
Abstract
Literature, as a cognitive field, is closely related to man and human society. When we talk about human society, we actually mean not only human attitudes to the environment, material phenomena and products, but also the totality of the inner dimensions that reflect the type of human attitude to circumstances that can be part of human characteristics.
This study, entitled “Women in Alaeddin Sajadi's Rishtay Mirwary; From the Perspective of Literary Anthropology”, is an attempt to understand what women are and can be in this text. This is an essential part of literary anthropology because, as in literary anthropology, we can move towards understanding the whole world through literature.
In the second half of the 20th century, Wolfgang Iser, considered the inventor of the term literary anthropology, developed a new theory of literary text study that opened up new horizons in understanding literary texts by shifting attention from the author to the reader and passing the boundaries of aesthetics and then to the culture and structure of society. In fact, from the point of view of literary anthropology, the conditions of humanity that are kept inside, or in other words, a particular nation, can be identified.
The first topic of this study discusses the nature of literary anthropology and Iser's views in particular; In the second topic, based on Iser's views and the main principles of this theory, such as storytelling, story-like, symbolism, desire, we will discuss women and their appearance in the narratives in the Rishtay Mirwary
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