))ئافرەت لە (ڕشتەی مرواری)عەلائەددین سەجادیدا، لە روانگەى مرۆڤناسى ئەدەبییەوە((
))ئافرەت لە (ڕشتەی مرواری)عەلائەددین سەجادیدا، لە روانگەى مرۆڤناسى ئەدەبییەوە((

سمیە نجیب خلیل

خول 9، Special issue (3) Conf-Sajade ، ڕێبه‌ندان 2022، ، لاپه‌ڕه‌ 117-130

https://doi.org/10.24271/jgu.2022.160816

پوخته‌
  ئەدەب وەکو بوارێکى مەعریفى، پەیوەندییەکی تۆکمەی لەگەڵ مرۆڤ و جڤاکى مرۆییدا هەیە. کاتێک کە باس لە جڤاکى ...  Read More
Off/On-Screen Representation Of Women in Kurdish Television Advertisements
Off/On-Screen Representation Of Women in Kurdish Television Advertisements

Shaima Waseem Sadiq؛ Kovan Hussain Saado

خول 7، ژماره‌ 4 ، گوڵان 2021، ، لاپه‌ڕه‌ 258-278

https://doi.org/10.24271/garmian.207020

پوخته‌
  < p style="text-align: left;">The present study attempts to examine the ‘on/off screen portrayal’ of women in mass media in particular in Kurdish television advertisements. ...  Read More
A Comparative Study of the Image of Women and Diametric Extremes of Freedom and Captivity in Scott Fitzgerald’s “Winter Dreams” and Sherzad Hassan’s “Fence and My Father’s Dogs”
A Comparative Study of the Image of Women and Diametric Extremes of Freedom and Captivity in Scott Fitzgerald’s “Winter Dreams” and Sherzad Hassan’s “Fence and My Father’s Dogs”

Nasreen Darwesh؛ Salar M. Salih

خول 6، ژماره‌ 1 ، پوشپه‌ڕ 2019، ، لاپه‌ڕه‌ 959-665

https://doi.org/10.24271/garmian.1056

پوخته‌
  Women characters began to play a more active role in the world of literature during the twentieth century. Modern literature is usually characterized by realism and hence it often ...  Read More